adcollector:

OGILVY & MATHER (New Zealand) for WWF

thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe
thedsgnblog:

Quote of the week - 14/07/2014
Dweller    |    http://noelshiveley.tumblr.com
Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.
The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe

thedsgnblog:

Quote of the week - 14/07/2014

Dweller    |    http://noelshiveley.tumblr.com

Noel Shiveley is a 22 year old letterer and designer based in Pasadena, CA, USA. He is focused on calligraphy, typography, graphic design and is always interested in collaborations.

The Design Blog:  facebook  |  twitter  |  pinterest  |  subscribe

Falling Stars

The thicketed stars struck up
conversations with distance,
their brief, hot scratches curved
against the sky’s dome.
Zipped into a sleeping bag,
high on a bluff above the river,
I turned my face toward 
this one direction of wonder.
Friction suddenly visible,
life burned itself out in streaking arcs
far above my eyes, yet I couldn’t 
keep from turning away.

Off to one side,
rising from the opposite bluff,
the huge moon: fat crescent.
Succulent cream of a moon,
big as a wide, wild 
animal yawn held open
on the horizon. Risen, still rising,
and I, who’d never before wanted
to sleep in the open, chose to stay.
Outside my familiar landscape
of wallpaper, curtains, doors,
I could hear the coyotes
throw their great circle of cries
up into the air, two owls criss and cross
their voices through trees;
I could turn from moon to stars
to moon, watch them to sleep,
rouse to see them again, and go again
back to sleep in that wide outside;
then wake in morning to find
the sleeping bag, my face, hands
wet and shining with what, at dawning,
fell to the ground.

— Paulann Petersen

artchipel:

Pawel Nolbert (Poland) - Atypical
Pawel Nolbert is a Warsaw based multidisciplinary artist & designer crossing the boundaries of the various talents: from illustration, typography, digital design, 3D design to photography. During the past decade, he gained experience creating visual work for brands like Google, Verizon, Adobe, Nike, Sony, Nvidia, Polaroid, Grammy’s, Mercedes-Benz, Dodge, Red Bull, Jagermeister, Disney and many more big and small clients, agencies or studios.
© All images courtesy the artist
[more Pawel Nolbert | artist found at darksilenceinsuburbia]
artchipel:

Pawel Nolbert (Poland) - Atypical
Pawel Nolbert is a Warsaw based multidisciplinary artist & designer crossing the boundaries of the various talents: from illustration, typography, digital design, 3D design to photography. During the past decade, he gained experience creating visual work for brands like Google, Verizon, Adobe, Nike, Sony, Nvidia, Polaroid, Grammy’s, Mercedes-Benz, Dodge, Red Bull, Jagermeister, Disney and many more big and small clients, agencies or studios.
© All images courtesy the artist
[more Pawel Nolbert | artist found at darksilenceinsuburbia]
artchipel:

Pawel Nolbert (Poland) - Atypical
Pawel Nolbert is a Warsaw based multidisciplinary artist & designer crossing the boundaries of the various talents: from illustration, typography, digital design, 3D design to photography. During the past decade, he gained experience creating visual work for brands like Google, Verizon, Adobe, Nike, Sony, Nvidia, Polaroid, Grammy’s, Mercedes-Benz, Dodge, Red Bull, Jagermeister, Disney and many more big and small clients, agencies or studios.
© All images courtesy the artist
[more Pawel Nolbert | artist found at darksilenceinsuburbia]
artchipel:

Pawel Nolbert (Poland) - Atypical
Pawel Nolbert is a Warsaw based multidisciplinary artist & designer crossing the boundaries of the various talents: from illustration, typography, digital design, 3D design to photography. During the past decade, he gained experience creating visual work for brands like Google, Verizon, Adobe, Nike, Sony, Nvidia, Polaroid, Grammy’s, Mercedes-Benz, Dodge, Red Bull, Jagermeister, Disney and many more big and small clients, agencies or studios.
© All images courtesy the artist
[more Pawel Nolbert | artist found at darksilenceinsuburbia]
artchipel:

Pawel Nolbert (Poland) - Atypical
Pawel Nolbert is a Warsaw based multidisciplinary artist & designer crossing the boundaries of the various talents: from illustration, typography, digital design, 3D design to photography. During the past decade, he gained experience creating visual work for brands like Google, Verizon, Adobe, Nike, Sony, Nvidia, Polaroid, Grammy’s, Mercedes-Benz, Dodge, Red Bull, Jagermeister, Disney and many more big and small clients, agencies or studios.
© All images courtesy the artist
[more Pawel Nolbert | artist found at darksilenceinsuburbia]

artchipel:

Pawel Nolbert (Poland) - Atypical

Pawel Nolbert is a Warsaw based multidisciplinary artist & designer crossing the boundaries of the various talents: from illustration, typography, digital design, 3D design to photography. During the past decade, he gained experience creating visual work for brands like Google, Verizon, Adobe, Nike, Sony, Nvidia, Polaroid, Grammy’s, Mercedes-Benz, Dodge, Red Bull, Jagermeister, Disney and many more big and small clients, agencies or studios.

© All images courtesy the artist

[more Pawel Nolbert | artist found at darksilenceinsuburbia]

jaymug:

You are invincible - Keri Smith

galleryofsmart:

Gallery of Smart - Curated Visuals
artchipel:

Phan Thu Trang (Vietnam)
Landscape painting has always been a fascinating and absorbed subject that many artists want to exploit and bring to their art. The development of other forms of landscape – seascapes, cityscapes or townscapes- has produced innumerable styles and techniques. For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang is definitely a welcome choice.Trang’s naïve, decorative works are unmistakably Vietnamese in character. Taking the landscape as her subject, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist prefers the use of texture to define her subjects. Smooth areas of bright monotone paint together with the lush, painterly impasto used to define tree leaves. Vibrant, bulky vault of trees dominate spindly trunks. There is an almost narrative established in her works, with a solo female cyclist eternally pedaling. The viewer does not know from whence she came, neither her destination. With conical hat, and downcast face she seems focused and determined; struggling, cycling against the odds. Like she is caught up in an eternal race against time, the cyclist ventures on through works representing varied daylight hours. Works in gradations of blue appear as pre dawn or early evening with their soft, cool tones. Works in green and white are akin to mid morning light, while works in shades of yellow, orange and red exude the searing heat of the mid-afternoon sun in Vietnam. Born in Hanoi, like many other artists, Trang’s mind was engraved with images of Hanoi and the Northern villages. That’s why her painting is always a vivid landscape of the villagers and their life.
In her painting, Trang doesn’t try to describe what she saw but what she felt. These are memories of the places where she lived or passed by. Every moment of life has been bringing the artist to the feelings that she likes to express in her works: women going to the market from early dawn, farmers hastening to cycle on the village roads, peaceful afternoons or hot summer days… Those moments also bring her to the different sensation of color and light as well as composition. Trang’s work is also the story of human’s destiny. The people on the very paths, whom viewers can see in her paintings may have had different pieces of life which eternally identify themselves with the village gate, the trees, the rice field… Trang often uses strokes of knife to describe her feeling. There are more and more refined strokes in her paintings as if they are telling never-ending stories of people living in Vietnam. In those stories, the sky and water are depicted with the big knives. Looking at the big blocks of color, the viewers can have the feeling of the peace and immensity. The artist details the leaf canopy with the small strokes and the smallest ones for the figures. Graduating from the Theater and Cinema Academy, Trang’s strongest point is to capture the light and bring it to her paintings. She always tries to use color and light to create different sensation for each piece of her art.
© All images courtesy the artist
[more Phan Thu Trang | artist found at darksilenceinsuburbia]
artchipel:

Phan Thu Trang (Vietnam)
Landscape painting has always been a fascinating and absorbed subject that many artists want to exploit and bring to their art. The development of other forms of landscape – seascapes, cityscapes or townscapes- has produced innumerable styles and techniques. For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang is definitely a welcome choice.Trang’s naïve, decorative works are unmistakably Vietnamese in character. Taking the landscape as her subject, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist prefers the use of texture to define her subjects. Smooth areas of bright monotone paint together with the lush, painterly impasto used to define tree leaves. Vibrant, bulky vault of trees dominate spindly trunks. There is an almost narrative established in her works, with a solo female cyclist eternally pedaling. The viewer does not know from whence she came, neither her destination. With conical hat, and downcast face she seems focused and determined; struggling, cycling against the odds. Like she is caught up in an eternal race against time, the cyclist ventures on through works representing varied daylight hours. Works in gradations of blue appear as pre dawn or early evening with their soft, cool tones. Works in green and white are akin to mid morning light, while works in shades of yellow, orange and red exude the searing heat of the mid-afternoon sun in Vietnam. Born in Hanoi, like many other artists, Trang’s mind was engraved with images of Hanoi and the Northern villages. That’s why her painting is always a vivid landscape of the villagers and their life.
In her painting, Trang doesn’t try to describe what she saw but what she felt. These are memories of the places where she lived or passed by. Every moment of life has been bringing the artist to the feelings that she likes to express in her works: women going to the market from early dawn, farmers hastening to cycle on the village roads, peaceful afternoons or hot summer days… Those moments also bring her to the different sensation of color and light as well as composition. Trang’s work is also the story of human’s destiny. The people on the very paths, whom viewers can see in her paintings may have had different pieces of life which eternally identify themselves with the village gate, the trees, the rice field… Trang often uses strokes of knife to describe her feeling. There are more and more refined strokes in her paintings as if they are telling never-ending stories of people living in Vietnam. In those stories, the sky and water are depicted with the big knives. Looking at the big blocks of color, the viewers can have the feeling of the peace and immensity. The artist details the leaf canopy with the small strokes and the smallest ones for the figures. Graduating from the Theater and Cinema Academy, Trang’s strongest point is to capture the light and bring it to her paintings. She always tries to use color and light to create different sensation for each piece of her art.
© All images courtesy the artist
[more Phan Thu Trang | artist found at darksilenceinsuburbia]
artchipel:

Phan Thu Trang (Vietnam)
Landscape painting has always been a fascinating and absorbed subject that many artists want to exploit and bring to their art. The development of other forms of landscape – seascapes, cityscapes or townscapes- has produced innumerable styles and techniques. For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang is definitely a welcome choice.Trang’s naïve, decorative works are unmistakably Vietnamese in character. Taking the landscape as her subject, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist prefers the use of texture to define her subjects. Smooth areas of bright monotone paint together with the lush, painterly impasto used to define tree leaves. Vibrant, bulky vault of trees dominate spindly trunks. There is an almost narrative established in her works, with a solo female cyclist eternally pedaling. The viewer does not know from whence she came, neither her destination. With conical hat, and downcast face she seems focused and determined; struggling, cycling against the odds. Like she is caught up in an eternal race against time, the cyclist ventures on through works representing varied daylight hours. Works in gradations of blue appear as pre dawn or early evening with their soft, cool tones. Works in green and white are akin to mid morning light, while works in shades of yellow, orange and red exude the searing heat of the mid-afternoon sun in Vietnam. Born in Hanoi, like many other artists, Trang’s mind was engraved with images of Hanoi and the Northern villages. That’s why her painting is always a vivid landscape of the villagers and their life.
In her painting, Trang doesn’t try to describe what she saw but what she felt. These are memories of the places where she lived or passed by. Every moment of life has been bringing the artist to the feelings that she likes to express in her works: women going to the market from early dawn, farmers hastening to cycle on the village roads, peaceful afternoons or hot summer days… Those moments also bring her to the different sensation of color and light as well as composition. Trang’s work is also the story of human’s destiny. The people on the very paths, whom viewers can see in her paintings may have had different pieces of life which eternally identify themselves with the village gate, the trees, the rice field… Trang often uses strokes of knife to describe her feeling. There are more and more refined strokes in her paintings as if they are telling never-ending stories of people living in Vietnam. In those stories, the sky and water are depicted with the big knives. Looking at the big blocks of color, the viewers can have the feeling of the peace and immensity. The artist details the leaf canopy with the small strokes and the smallest ones for the figures. Graduating from the Theater and Cinema Academy, Trang’s strongest point is to capture the light and bring it to her paintings. She always tries to use color and light to create different sensation for each piece of her art.
© All images courtesy the artist
[more Phan Thu Trang | artist found at darksilenceinsuburbia]
artchipel:

Phan Thu Trang (Vietnam)
Landscape painting has always been a fascinating and absorbed subject that many artists want to exploit and bring to their art. The development of other forms of landscape – seascapes, cityscapes or townscapes- has produced innumerable styles and techniques. For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang is definitely a welcome choice.Trang’s naïve, decorative works are unmistakably Vietnamese in character. Taking the landscape as her subject, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist prefers the use of texture to define her subjects. Smooth areas of bright monotone paint together with the lush, painterly impasto used to define tree leaves. Vibrant, bulky vault of trees dominate spindly trunks. There is an almost narrative established in her works, with a solo female cyclist eternally pedaling. The viewer does not know from whence she came, neither her destination. With conical hat, and downcast face she seems focused and determined; struggling, cycling against the odds. Like she is caught up in an eternal race against time, the cyclist ventures on through works representing varied daylight hours. Works in gradations of blue appear as pre dawn or early evening with their soft, cool tones. Works in green and white are akin to mid morning light, while works in shades of yellow, orange and red exude the searing heat of the mid-afternoon sun in Vietnam. Born in Hanoi, like many other artists, Trang’s mind was engraved with images of Hanoi and the Northern villages. That’s why her painting is always a vivid landscape of the villagers and their life.
In her painting, Trang doesn’t try to describe what she saw but what she felt. These are memories of the places where she lived or passed by. Every moment of life has been bringing the artist to the feelings that she likes to express in her works: women going to the market from early dawn, farmers hastening to cycle on the village roads, peaceful afternoons or hot summer days… Those moments also bring her to the different sensation of color and light as well as composition. Trang’s work is also the story of human’s destiny. The people on the very paths, whom viewers can see in her paintings may have had different pieces of life which eternally identify themselves with the village gate, the trees, the rice field… Trang often uses strokes of knife to describe her feeling. There are more and more refined strokes in her paintings as if they are telling never-ending stories of people living in Vietnam. In those stories, the sky and water are depicted with the big knives. Looking at the big blocks of color, the viewers can have the feeling of the peace and immensity. The artist details the leaf canopy with the small strokes and the smallest ones for the figures. Graduating from the Theater and Cinema Academy, Trang’s strongest point is to capture the light and bring it to her paintings. She always tries to use color and light to create different sensation for each piece of her art.
© All images courtesy the artist
[more Phan Thu Trang | artist found at darksilenceinsuburbia]
artchipel:

Phan Thu Trang (Vietnam)
Landscape painting has always been a fascinating and absorbed subject that many artists want to exploit and bring to their art. The development of other forms of landscape – seascapes, cityscapes or townscapes- has produced innumerable styles and techniques. For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang is definitely a welcome choice.Trang’s naïve, decorative works are unmistakably Vietnamese in character. Taking the landscape as her subject, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist prefers the use of texture to define her subjects. Smooth areas of bright monotone paint together with the lush, painterly impasto used to define tree leaves. Vibrant, bulky vault of trees dominate spindly trunks. There is an almost narrative established in her works, with a solo female cyclist eternally pedaling. The viewer does not know from whence she came, neither her destination. With conical hat, and downcast face she seems focused and determined; struggling, cycling against the odds. Like she is caught up in an eternal race against time, the cyclist ventures on through works representing varied daylight hours. Works in gradations of blue appear as pre dawn or early evening with their soft, cool tones. Works in green and white are akin to mid morning light, while works in shades of yellow, orange and red exude the searing heat of the mid-afternoon sun in Vietnam. Born in Hanoi, like many other artists, Trang’s mind was engraved with images of Hanoi and the Northern villages. That’s why her painting is always a vivid landscape of the villagers and their life.
In her painting, Trang doesn’t try to describe what she saw but what she felt. These are memories of the places where she lived or passed by. Every moment of life has been bringing the artist to the feelings that she likes to express in her works: women going to the market from early dawn, farmers hastening to cycle on the village roads, peaceful afternoons or hot summer days… Those moments also bring her to the different sensation of color and light as well as composition. Trang’s work is also the story of human’s destiny. The people on the very paths, whom viewers can see in her paintings may have had different pieces of life which eternally identify themselves with the village gate, the trees, the rice field… Trang often uses strokes of knife to describe her feeling. There are more and more refined strokes in her paintings as if they are telling never-ending stories of people living in Vietnam. In those stories, the sky and water are depicted with the big knives. Looking at the big blocks of color, the viewers can have the feeling of the peace and immensity. The artist details the leaf canopy with the small strokes and the smallest ones for the figures. Graduating from the Theater and Cinema Academy, Trang’s strongest point is to capture the light and bring it to her paintings. She always tries to use color and light to create different sensation for each piece of her art.
© All images courtesy the artist
[more Phan Thu Trang | artist found at darksilenceinsuburbia]

artchipel:

Phan Thu Trang (Vietnam)

Landscape painting has always been a fascinating and absorbed subject that many artists want to exploit and bring to their art. The development of other forms of landscape – seascapes, cityscapes or townscapes- has produced innumerable styles and techniques. For those who love the radiance and freshness of Vietnam and its landscapes, the work of Phan Thu Trang is definitely a welcome choice.Trang’s naïve, decorative works are unmistakably Vietnamese in character. Taking the landscape as her subject, Trang simplifies individual elements to their bare essentials. With a limited palette, the artist prefers the use of texture to define her subjects. Smooth areas of bright monotone paint together with the lush, painterly impasto used to define tree leaves. Vibrant, bulky vault of trees dominate spindly trunks. There is an almost narrative established in her works, with a solo female cyclist eternally pedaling. The viewer does not know from whence she came, neither her destination. With conical hat, and downcast face she seems focused and determined; struggling, cycling against the odds. Like she is caught up in an eternal race against time, the cyclist ventures on through works representing varied daylight hours. Works in gradations of blue appear as pre dawn or early evening with their soft, cool tones. Works in green and white are akin to mid morning light, while works in shades of yellow, orange and red exude the searing heat of the mid-afternoon sun in Vietnam. Born in Hanoi, like many other artists, Trang’s mind was engraved with images of Hanoi and the Northern villages. That’s why her painting is always a vivid landscape of the villagers and their life.

In her painting, Trang doesn’t try to describe what she saw but what she felt. These are memories of the places where she lived or passed by. Every moment of life has been bringing the artist to the feelings that she likes to express in her works: women going to the market from early dawn, farmers hastening to cycle on the village roads, peaceful afternoons or hot summer days… Those moments also bring her to the different sensation of color and light as well as composition. Trang’s work is also the story of human’s destiny. The people on the very paths, whom viewers can see in her paintings may have had different pieces of life which eternally identify themselves with the village gate, the trees, the rice field… Trang often uses strokes of knife to describe her feeling. There are more and more refined strokes in her paintings as if they are telling never-ending stories of people living in Vietnam. In those stories, the sky and water are depicted with the big knives. Looking at the big blocks of color, the viewers can have the feeling of the peace and immensity. The artist details the leaf canopy with the small strokes and the smallest ones for the figures. Graduating from the Theater and Cinema Academy, Trang’s strongest point is to capture the light and bring it to her paintings. She always tries to use color and light to create different sensation for each piece of her art.

© All images courtesy the artist

[more Phan Thu Trang | artist found at darksilenceinsuburbia]

oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 


oij:

escapekit:

Papers for Characters
Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 

oij:

escapekit:

Papers for Characters

Spanish design studio Atipo has created a collection of minimalistic movie posters that are made from paper. 

(via savilleandknight)